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1. Industrial 'VWOOWOOvwoowoo' kind of sound (Tricky to describe)
From the main theme from the movie 'Terminator 2'
----------[ DJ Duncy C - [email protected] ]2. "You call us..." & "You call us (Nazis?)!" Anybody?
You have "You call us... Nazis", but I can't hear that. What I can hear is "You owe us, everything". I saw them on t.v. playing the song live and I am almost postitive those are the lyrics and that Graham sings them, it's not a sample. The voice was louder, Graham was mouthing behind a mike and the voice changed empahasis, samples don't change usually.
----------[ J/P/B McLachlan - [email protected] ]
# Lately, it's been sounding to me like "You are out!" & "You are outlanders!" (Or "You're all outlanders!") Help us out here, folks...3. "White People's Committee is not embarrassed to admit that we endorse and seek the execution of all homosexuals, the negroes, ... blacks, the hispanics, and Chinese..." (Fun-Da-Mental mixes)
It's got to be William S. Burroughs (Hasn't it?) I thought this one would have gone ages ago... I don't know the recording it comes from, but the voice is pretty distinctive...
----------[ Richard Smyth - [email protected] ]4. Heavy guitar riff
Sounds very like that used on the classic 'Kashmir' by Led Zeppelin on 'Physical Graffiti'. I doubt it's a direct sample - the PWEI version is faster and much heavier than the original, but the similarity is interesting, and I certainly wouldn't put it past the lads...
----------[ Dan Staines - [email protected] ]
# NOTE: After listening to 'Now For A Feast', I'm convinced that the Poppies do quite a bit of 'wet-sampling' (my term: 'stealing') of riffs in addition to the more-obvious digital sampling. - And I definitely hear Kashmir in this one! _Dave_
Familus Horribilus 1. The entire melody (the music that runs under the verses)
Is a looped sample of the 2-ish minute jazzy outro of Black Sabbath's 'Symptom of the Universe', off their album 'Sabotage.'
----------[ Michael Hamilton Walker - [email protected] ]Anyway - I can't believe that this has never been mentioned... I checked the most recent version of the sample list (the one on the Nation) and noticed that there are no "samples" for 'Familus Horribilus...' Well this isn't so much of a sample as it is PWEI stealing a riff from the almighty Black Sabbath... the whole damn tune, the music at the begining is taken note for note from Sabbath's 'Symptom of the Universe'. For anyone that may actually know what I'm talking about it the very end of the tune after the heavy part. I'm sitting here listening to this Sabbath tribute album and decided to actually listen to the 'Corrosion of Conformity' song for the first time... I said "Hey, this sounds familiar." Then last night as if by omen, I found disc two of the tribute album, which has the original versions of songs. And after listening to the Sabbath version, damn, that's the song. I can't believe no one has said this one yet. I found it BLATANTLY obvious. Can anyone back me up?
----------[ Pepsi - [email protected] ]
Well, the "Future Music" article that Tezzer quotes in the sampling list page did not make specific mention of the track that featured the BIG sample from a 70's band. The piece in "Future Music" was out around the time the band was releasing the double A-sided single 'RSVP'/'Familus Horribilus' (October 1993), but the interview was obviously taken during the time of the single's recording. So, Richard Poppie did not specify which of the two tracks featured the sample in question (maybe, the Poppies had not yet decided at that time what the titles of the songs would be-at least that's the feeling I get from reading the article), but he was quite specific as regards to which was the band the sample was "stolen" from. I quote: "It's quite a long bit. It's just a little part from the end of a Black Sabbath track." What more can I say? Paying close attention to 'Sympom of the Universe' by Black Sabbath reveals that the final part of the song (the instrumental part, based around the slow guitar arppegio), forms the backbone of 'Familus Horribilus', from beginning to end. The whole song is based on this last guitar arppegio from Black Sabbath's 'Symptom of the Universe.' It seems that we all have our Heavy Metal roots, don't we?
--------[ T a z (Tassos Nickogiannis) - [email protected]
Underbelly 1. ... Basically a "Laaaa..." sound which appears at the start of the third bar in the four bar chord progression of the chorus (ie a couple of times in the middle of the chorus in between lines...)
From the chorus of 'The Real Thing' by Russel Morris (It's made me feel like going out and buying a copy of the 7" of the original song that I saw one day... If you haven't heard the original - it's an Australian song from the 70's - it's a kind of pop psychedelic song, lots of phasing/flanging in it.)
----------[ Richard Smyth - [email protected] ]2. Warbling, slowed-down vocal sound at end of tune...
Pygmy vocal from 'Lullabye' by 'Deep Forest'
----------[ Dave Read - [email protected] ]3. A major component of the rhythm, throughout the song (also, the word "round", just before "underbelly")
From the main rhythm of 'Round' by Public Image Limited.
----------[ Cyndy Lee - [email protected] ]4. There's this sound like a submarine sonar.
It really sounds like the sound that Don Knotts used in the movie, 'The Incredible Mr. Limpett' where he helped the Navy locate submarines by producing a similar noise. No really. Stop laughing.
----------[ Cyndy Lee - [email protected] ]
I've never seen that movie [...Limpett...], so I wouldn't know for sure. But, it sounds to me like the sound effect used for the aliens in the 'War of the Worlds' movie. For that matter, it could be in both.
----------[ John Knutson - [email protected] ]5. The "gog gog" at the start. (Renegade Soundwave Mix)
I could be mistaken, but it sounds very like Rowan Atkinson in 'Mr. Bean'. It sounds very messed up, but the tone is just right. I think 'Mr. Bean' is broadcast only in England, but no-one's missing anything.
----------[ Emong Nedrag - [email protected] ]
Fatman 1. High-pitched chanting
Sounds like it might be the chanting from '88 Seconds...' from 'Cure For Sanity' edited & sped up.
----------[ Dave Read - [email protected] ]2. "Bullshit!" (At very end)
*Source Unknown*
3. "See the weight come off"
from a British TV advert for SlimFast - the end of the slogan "Try SlimFast for a week and see the weight come off"
----------[ Mark Lambert - [email protected] ]4. "Celebrate your beauty"
*Source Unknown*
Home 1. Musical excerpt
From 'Golgotha Tenement Blues' by Machines Of Loving Grace
----------[ Cyndy Lee - [email protected] ]
Cape Connection 1. Gated snare sound heard on beats 2 & 4 once the song kicks in
Slightly higher pitch-shifted sample from Nine Inch Nails 'Closer' I believe...
----------[ Lorne F. Bregitzer - [email protected] ]2. A sort of "kapooa" sound in the 'Golden Claw Music Mix', starting at 01:09
The same sample is in a 'Doom2' .WAD file, 'DGOLD4BT.WAD'. This isn't much use cos the chap who put it in didn't leave his E-mail adress. From what the text file said, it might be a sound in the original 'Doom', which mine won't work (boo-hoo). It was the punch sound. The wad file can be got from ftp infant2.sphs.indiana.edu, dgold4bt.zip.
----------[ Emong Nedrag - [email protected] ]
Menofearthereaper 1. The bass and part of the rythm
From a brief sample of 'Until The End Of The World' by U2. This comes in about the 15-17 second mark of the track on the U2 CD.
----------[ Richard Smyth - [email protected] ]2. After the grunt: "Let it fall down!" (first part of tune)
*Source Unknown*
3. Tribal-type chanting
From Pink Floyd's 'Atom Heart Mother Suite'
----------[ Mark Lambert - [email protected] ]4. The tarzan-like yell
Is David Lee Roth from 'Everybody Wants Some' (a Van Halen song). I see the thing in the sample list saying it's from Atom Heart Mother, and I'll go ahead and listen to that to see if I'm wrong, but I'm almost certain I'm right.
----------[ John Knutson - [email protected] ]5. Guitar riffs toward the beginning of the song on the 'Concrete No Fee No Fear Mix' on Two Fingers My Friends
From 'Smells Like Teen Spirit' by Nirvana and 'Supernaut' by Black Sabbath.
----------[ Pepsi - [email protected] ]6. The young, 60's swinging London type voice saying "But if we do get to summon up the big daddy with the
horns and the tail, he gets to bring his own liquor, his own bird and his own pot."Just listening to my copy of 'Two Fingers My Friends!' (Zero Half Measures!) ('Concrete No Fee No Fear' Mix, I think!), I was struck that this MIGHT (my memory is a little rusty...) come from a rather poor 60's satanic bikers film called 'Psychomania' or some such, notable for Beryl Reid and George Sanders wandering around looking a bit lost, all about a bunch of rather neat looking bikers killing themselves and coming back undead to terrorise the community. It was appalling, and I really don't know why I watched it! It was on BBC2 'Moviedrome' sometime last summer, I think. Any ideas or comments? Am I totally wrong...
----------[ Dan Staines - [email protected] ]
Everything's Cool 1. Guitar chuk-ka's and percusion at start of tune...
Also used in the Youth Remix of 'Kiss Them For Me' by Siouxsie & The Banshees, but I have a sneaking suspicion that they used a sample as well...
----------[ Dave Read - [email protected] ]2. Fast guitar after the repeating 'duh-duh-duh-duh-duh-duh-duh-duh- duh' guitar throughout the song.
From Ministry's 'Thieves'.
----------[ Douglas Bonser - [email protected] ]
Easier to hear in the remixes. In fact, I think the only guitar in the remixes is this sample.
----------[ Andrew Miller - [email protected] ]3. "Ooh ooh" after "Everything's cool"
Annie Lennox, 'Little Bird'
----------[ Cyndy Lee - [email protected] ]4. The last drum riff on the track (Particularly noticable on the INFECT9CD single)
Nine Inch Nails' 'Happiness In Slavery' (best compared against the NIN remix of 'Happiness In Slavery' on the 'Fixed' EP)
----------[ Mark Lambert - [email protected] ]5. Xylophone sound at the beginning
Another sample from Akira . For confirmation listen to the soundtrack or watch the movie and listen carefully. And if you want one more example of this watch the video... That guy on Clint's
shirt is Tetso)
----------[ PWEI Vampire - [email protected] ]
6. "whoop-whoop" (after the chorus)
It's the disco call from the Beastie Boys 'Shake Your Rump'.
----------[ Tripp Millican - [email protected] ]7. Fast sequencer riff throughout one of the remixes...
From 'Baba O'Reilly' by The Who
----------[ Gregg G. Fleming - (via Dave Read) ]8. There's a siren that kicks in every once in awhile (1:06, 1:27, 2:41, etc).
This is a long shot, but it sounds EXACTLY like the siren in a game 'Lasertron' when you shoot your opponent's base's target. 'Lasertron' is one of those games where you put on a suit thing with a target on the front and back, take a gun, and run around shooting other people on the other team, and try to get points. You can play it at 'Sportsworld' in Paramus NJ, if you want to hear the siren first hand. :) heh.. ciao.
----------[ noah s - [email protected] ]9. In the remix, some percussion (congas or something)
Sounds like it might have come from 'In The Name Of The Father' by (U2's) Bono and (not from U2) Gavin Friday?
----------[ Richard Smyth - [email protected] ]
R.S.V.P. 1. Apparently, there's meant to be a big sample stolen from "...a large '60s - '70s band" (Richard Poppie - in an article in 'Future Music').
If I remember correctly, the band were crapping themselves in case it got identified and they were sued!!
----------[ Terry Walsh - [email protected] ]
I think it might be from J. Geils Band... That harmonica part is awfully familiar...
----------[ Dave Read - [email protected] ]
#NOTE: See comments under 'Familus Horribilus' by T a z (Tassos Nickogiannis).2. Drums at the very start
Sounds like a speeded up version of a drum roll in the middle of 'Stubborn' by Senser. It came out at the right time (a few months before 'R.S.V.P').
----------[ emong nedrag - [email protected] ]